Through the noise of slot machines, poker tables and roulette wheels, and into the Voodoo Lounge at Harrah’s in North Kansas City, Minnesota came to Missouri (and Kansas) as Atmosphere, NOFUN! and Reverie brought their “The Traveling Forever Tour” for a Saturday night stop of musical community from three underground label live heavyweights.
The three-act night began with a short but effective set from NE Los Angeles underground rap star Reverie, accompanied by her DJ, and who has a pair of new singles out recently – “Sippin’ Slow” and “Young OG. She credits her rap career for saving her from the streets and has been to 27 countries and 32 states as a result of her ongoing career.
Set highlights included a vengeful rap against her ex’s (and dedicated to everyone’s ex’s in the audience), the sampling of Red Hot Chili Peppers’ “Under the Bridge” (and she got the crowd to sing the song’s chorus against her rapping verses) and the calling-you-out-on-it track, “Scheming” from her 2016 EP, “Das Kleine”.
Middle act NOFUN! was anything but that, and we have to call them out on their band name that is farthest from the truth, because the nine-piece Los Angeles collective (plus musicians) crowded the stage with a joyous chaos, for a thirty-minute set that was nothing but fun.
The backgrounds of their members couldn’t be more different (from LA, Nashville, Dublin and Chicago among others) and each brings their influences of west coast rap, indie rock, bedroom pop, and anything in between (remember Jurassic 5, 2 Skinnie J’s?), to a cluttered but happy table of diverse people coming together to make one music (more groups should be like this).
Recent single is “8-Mile” (which is one that doesn’t feature an exclamation point) as a follow-up to last year’s buzzworthy singles “DAYTRIP!”, “Spend It!”, and “STOPDROP N ROLL!”. The group kept energy high and traded off verses among the many members (dizzying fun to watch) and has been enough overall good tour mates for the headliner to take them out on the last three tour legs, for their first shows beyond the west coast.
Ok, we’ll admit it- being Minnesota-based, we’ve probably taken Atmosphere for granted (as have many Mpls locals). They’ve been a force in Minneapolis since 1996 (pretty close to matching our own time in the Land o’ 10,000 Lakes), are bonafide local legends, and we’ve seen them numerous times, more informally than formally (which explains some lack of previous coverage).
We’ve the seen the duo of Slug (Sean Daley) and DJ Ant (Anthony Davis) in rooms as small as the back of their own Rhymesayers store in Uptown, to as large as headlining the MLB All-Star Game concert at Target Field in front of 40,000+, and everything in-between.
At First Avenue, they still regularly sell out multiple nights and the same can be said for other historic venues like Red Rocks in Denver, but it’s not really until you get out-of-market in the Midwest (like we did in Des Moines) or here in KC, to see the love is everywhere, for the pair and their music.
Their ninety-minute set began a bit subdued, with Slug sporting a De La Soul hoodie, glasses, and casually entering and toasting the crowd. But, energy soon ramped up on the second song, last year’s “Okay” reminding everyone in these high-stress, post-pandemic, post-Minneapolis-burning as a result of police brutality times, that all was going to be all right and that your neighbor is generally your friend.
Kansas City was on the itinerary on those first tours outside MN, so the area fan base is strong and still remains so, a quarter-century later, and despite Slug’s (and many in the audience’s) now graying hair and slightly slower step. “Old people! Out late on a Saturday night”, he joked looking around the crowded room.
Fans, of course, responded most to the older tunes such as “F**k You Lucy / Pour Me Another”, “GodLovesUgly” and “Sunshine”, but also to the newer tracks such as current single, “Hear Hear” from their latest “Talk Talk” EP (on their own Rhymesayers label, of course). Like the silent partner (the Teller to his Penn), Ant stayed behind his laptop, mixers and turntable, headphones in one ear, cueing the next beat and visibly grooving on the sounds.
The spirit of the show was joyous and inspiring as usual, with Slug often asking the crowd to point their fingers at the sky or to collectively raise both hands in unison, but also took time out to reflect on grief as a preface to 2008’s “Yesterday” (about Slug and his father) which was followed by the uplifting “The Best Day” reminding us all to do the best we can and try to stay in a proper mindset.
“Scapegoat” goes all the way back to 1997 and Slug reminded the audience of it being their breakthrough track, the one that sent them out on the road beyond MN state lines, to begin building a more regional fan base and beyond. Longtime fans all felt a lump in their throat during 2014’s “Flicker”, a song dedicated to fellow Twin Cities rapper Eyedea (aka Mikey Larson), gone too soon in 2010.
The encore wasn’t the encore anymore, as the pair (Ant, accompanied on the back table by Dee-1) re-titled it “Bonus Features” because “we’re all adults” and know those are at the end of a feature-length film. As is custom, Slug freestyle rapped with a mastery built on thirty years of honing his craft (managing to work in a couple KC shout-outs) and the evening ended with their “Trying To Find A Balance”, joined mid-song by all the openers on a now overly crowded stage, to remind us all again, that this was a show built on community, joy, and positivity.
Atmosphere has deemed the current outing “The Traveling Forever Tour” and while it may seem like a lifetime after a quarter-century, it’s still a special night for the fans that come out to experience a hip-hop show and leave with a good feeling and spirit of common musical community.
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