Tour Dates
04/15/11 Observatory, Chicago IL
04/16/11 Brillo Box, Pittsburgh, PA 04/29/11 ATYPICAL, Philadelphia PA 04/30/11 ATYPICAL, Philadelphia PA Read More Ryat
Their forthcoming album, Avant Gold Remixed (to be released on April 12th). You can preview the album on ryat.band camp.com...
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RYAT (pronounced "riot") came by the 7th Entry in Minneapolis last night, April 13th.
To my surprise, there were some changes the last time I checked on this event: a fourth band was added to the bill and the play order were changed to have Chelsea Boys end the night out.
Starting with the unexpected addition of Claps, this is an awkward band: obviously inspired by 80s Manchester music (Joy Division, The Smiths, etc), complete with intelligent/sensitive lyrics with synthy machines and and clumsy dance moves did not fit in well with the oversexed Chelsea Boys. We'll get to them later.
I have an embarrassing story about the girl in Fort Wilson Riot, but I'll spare you the details. I've never seen them live, but I have seen Ice Palace (which is almost the same thing, considering that the band consists of Jacob and Amy).
I didn't know their songs, but I liked the last one the best - mostly because Amy finally got around to using that trumpet that was on stage.
As for Chelsea Boys, I've seen this band before, but they were not as outrageous as they were on last night. Their audience actually expected a DIY stripping show, so they weren't surprise by the whole thing.
I suspect I'll see Chelsea Boys in the future, and I'll keep in mind that the whole point of the band's image is to drink and who cares if they can't play or sing a note. They are young and they're having fun.
I was there to see RYAT, a duo (Christina and Tim) from Philadelphia. The first thing that hit me was the massive keyboard. Then the bold hair style of Christina.
Pretty much all the songs are sung by Christina, who also handles the keyboard, computer stuff, and extra percussion. Tim plays guitar and also floor tom (the hi-hat over the drum has seen better days too). I'm sure there's a ton of other noise-makers in their setup, they seem to have a knack for making music out of random things.
Maybe it was the distorted vocals, but it was really hard to make out what was being sung on stage. The singing were drowned out by the loud beeps, beats, and chaotic noises. It didn't really matter I guess, because the audience seem to really enjoyed it. In fact, I overheard this guy, who came in from the night, just randomly and instantly fell in love with what he heard from RYAT. That's really cool, I haven't seen that reaction in a long time.
Songs that I recall hearing that night were "Not for this Lifetime" and the closer song, a cover of the Flying Lotus, called "Nose Art". Not noise art, because that would be too meta.
RYAT is wrapping up their tour. Their album, Avant Gold and Avant Gold Remixed ($5!) are available now. Details on ryat.bandcamp.com.
CLAPS |
Starting with the unexpected addition of Claps, this is an awkward band: obviously inspired by 80s Manchester music (Joy Division, The Smiths, etc), complete with intelligent/sensitive lyrics with synthy machines and and clumsy dance moves did not fit in well with the oversexed Chelsea Boys. We'll get to them later.
FORT WILSON RIOT |
CHELSEA BOYS |
I didn't know their songs, but I liked the last one the best - mostly because Amy finally got around to using that trumpet that was on stage.
As for Chelsea Boys, I've seen this band before, but they were not as outrageous as they were on last night. Their audience actually expected a DIY stripping show, so they weren't surprise by the whole thing.
I suspect I'll see Chelsea Boys in the future, and I'll keep in mind that the whole point of the band's image is to drink and who cares if they can't play or sing a note. They are young and they're having fun.
I was there to see RYAT, a duo (Christina and Tim) from Philadelphia. The first thing that hit me was the massive keyboard. Then the bold hair style of Christina.
Pretty much all the songs are sung by Christina, who also handles the keyboard, computer stuff, and extra percussion. Tim plays guitar and also floor tom (the hi-hat over the drum has seen better days too). I'm sure there's a ton of other noise-makers in their setup, they seem to have a knack for making music out of random things.
Maybe it was the distorted vocals, but it was really hard to make out what was being sung on stage. The singing were drowned out by the loud beeps, beats, and chaotic noises. It didn't really matter I guess, because the audience seem to really enjoyed it. In fact, I overheard this guy, who came in from the night, just randomly and instantly fell in love with what he heard from RYAT. That's really cool, I haven't seen that reaction in a long time.
Songs that I recall hearing that night were "Not for this Lifetime" and the closer song, a cover of the Flying Lotus, called "Nose Art". Not noise art, because that would be too meta.
RYAT is wrapping up their tour. Their album, Avant Gold and Avant Gold Remixed ($5!) are available now. Details on ryat.bandcamp.com.
RYAT |
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