W♥M (Archive)

Mashups: King of Rock and Adele 1988

 

I Just Wanna Whole Lotta Love

Jay-Z/Led Zepplin/Crooklyn Clan

As those who follow my blog at all have noticed, I'm all about the mashups, and so I am back with a double feature.

First up is a mix by DJ Bling and the Urban Expedition Project (UEP) titled King of Rock.  True to the title, it features a lot of hip-hop, rap, and R&B mashed with rock from the '60s to '90s, as well as a lot of '80s electronic pop hits.  It's also likely to be true to mashup's general "bastard pop" genre label; I can imagine a lot of purists and hardcore rock fans being very pissed off about hearing their favorite rock anthems being mashed with contemporary hip-hop/rap artists!  But if you're really into a nice chocolate-vanilla swirl flavor of rock and rap, I would highly recommend giving King of Rock a listen.

The mix can be found at DJ Illa's site here.  It's long and continuous-- perfect for a nightclub or dance hall setting, but you can download it as a zip file with separate tracks, which is easier for burning a CD copy.

Make You Feel My Love (Remot Remix) Mick Boogie & Adele Adele http://weheartmus... They are calling Adele Adkins (or better known as Adele) the new "Amy" (Winehouse). It is no sur...

Mick Boogie's Adele 1988 is a decidedly different approach, although it has some similar mixtures of sound.  It's a mashup of the album 19 by 4-time Grammy nominated British soul singer Adele, with a late '80s hip-hop sound.  U.S. audiences may be familiar with her musical guest appearance on Saturday Night Live on October 18, 2008, which prominently featured then-Republican Vice President candidate Sarah Palin.  (Indeed, it's the first place I saw her as well.)

That said, I wouldn't call it a mashup in the strictest sense of the word, since mashups usually encompass two or more complete works that are independently whole.  Furthermore, this doesn't feature all of the tracks of the original album, although I would say it's fairly representative in what is used.  The Mick Boogie site calls it a complete reinterpretation-- and since most of the tracks are listed as remixes (without listing the artists sampled/mashed specifically), I would say it's more accurately called a remix.  Then again, mashups and bastard pop have been called forms of the remix, so the distinction is academic.

This download is also available for free, along with further details concerning Adele 1988 here at the Mick Boogie website.

 

Links: djilla.com mickboogie.com

 12/20/2008 16:24:20  ♥ written by jaklumen ( / jaklumen.vox.com)

Mark Vidler/GHP: Spliced Krispies

 11/18/2008 09:21:48  ♥ written by jaklumen ( / jaklumen.vox.com)

 

Go Home Productions - Luther's Orange Crush (Luther Vandross/REM)

Go Home Productions

If you've read my VOX at all, you know I'm a passionate fan of mashups-- I created an individual group called Monday Monster Mashup, just to document some of the better pieces out there.  It is very unapologetically MTV-ish in its presentation, as I actually search out YouTube videos where an accompanying video has been mashed up in complimentary fashion.  It's actually pretty common for mashup artists to leave no stone unturned, sometimes mingling elements of cover art as well to create new cover art for the songs.

Sometimes DJs/VJs release mashup tracks individually, and others create compilations, often where the tracks have common elements or a unifying theme.  Mark Vidler, as the one-man Go Home Productions, released Spliced Krispies in May 2008 and I was very interested in the content.  Not only had he created videos (in the manner I described above), but he also had chosen a lot of older material.  I'm a very firm believer that mashups are not a passing fad and the music can be very accessible to everyone-- if only to show that history can very much repeat itself in the music business, especially in popular genres.

Mark Vidler is based in Watford, UK and produces remixes as well as mashups.  His work extends into radio and television, such as XFM's 'The Remix' and 'Rinse' radio shows as well as projects with MTV Mash.  His hit mashup "Rapture Riders" was included in Blondie's Greatest Hits on the EMI label, and his "Ray of Gob" mashup of Madonna and The Sex Pistols (featured on Pistol Whipped on Half Inch Recordings) has become quite notorious.  (I've referenced the "Rapture Riders" video here.  I was very surprised that for a time, an excerpt was featured on the Blondie official website.)

As I said before, Spliced Krispies features a lot of older tunes, and I think that's a very good thing.  It gives both the younger and older generations a fresh perspective on some old favorites.  As some mashups are, it sometimes takes a few listens to get used to the songs if you're very, very familiar with the original tunes.  While it would be nice for Vidler to have some studio magic to make the tracks very clean and smooth-sounding (say, compared to Simon Iddol), I think he's worked very well with the material and likely the recordings that were available to him.

My favorite on the album was "3 X A Raindrop", which takes Burt Bacharach's "Raindrops Keep Fallin' On My Head", and the Commodore's "Three Times A Lady".  The video splices scenes from Butch Cassidy and the Sundance Kid, in which movie "Raindrops" was featured, with cuts of Lionel Ritchie singing the other song in a live performance.

GHP "3 x A Raindrop" The Commodores-Burt Bacharach

"Luther's Orange Crush" which mashes Luther Vandross's "Never Too Much" and R.E.M.'s "Orange Crush" is also worth a listen.  Vidler's own words on the track are especially amusing:

"This one will probably piss-off the purists, I dunno.  After acquiring the REM 'parts' I thought it would be funny to put them with something completely alien to their style. Don't get me wrong, I'm a massive fan of REM's early stuff. Chronic Town, Murmur and Reckoning [were] definitely brilliant...but to put them with something more disco or funk was the intention."

The album with mp3s and videos is available at the Mark Vidler // Go Home Productions site here.

Links: www.gohomeproductions.co.uk myspace.com/markvidlerGHP

Bill O'Reilly Dance Remix

Bill O'Reilly Flips Out — DANCE REMIX   George Bush - Sunday Bloody Sunday Yes We Can - Barack Obama Music Video "Yes, We Shall" Music Video - Vote Cobra '08 See Also Office Lip Dubs http://weheartmus... OK, here's something slightly off-topic but still music-related. I first saw this video a few mon...

I don't normally do an all-out video posts, but after watching the hilarious Bill O'Reilly blowing his top off and having it "remixed" in a techno dance song, I was inspired to write about it.

So, if you didn't know, O'Reilly lost his temper after having some issues with the teleprompter and somehow the video got leaked on youtube. Like all things online, it's the subject of various parodies and the best one is this dance remix.

This video reminds me of some internet guy taking apart a George Bush speech and making it sound like Bush is singing U2's "Sunday Bloody Sunday".

The source of this video is originally taken from the 2003 State of the Union Address, however the crowd shots were not from the same union address. There's no additional information, but you can try and contact the original creator: thepartyparty.com.

And speaking of politics, remember that Barack Obama music video from will.i.am, from The Black Eye Peas? All the lyrics from this song was based on excerpts from Obama's speech from January 2008 at the New Hampshire presidential primary election. You can find all the details at yeswecansong.com.

What I love is that G4TV parodied this video for Cobra Commander (from G.I.Joe). The song made reference to outrageous Cobra plans for world domination and is written by Jonathan Mann, aka GameJew. He's also the person responsible for writing the music to the the hilarious X-Men: The Musical.

COBRALALALA!

 

Links: weheartmusic.com