I’m not going to blame my lack of updates on the swine
flu. That would be wrong, sleazy, and
downright unconstitutional.
Now that I got that off my chest, I’m happy to report that
my cleaning ventures have been particularly fruitful. No, I didn’t find that copy of
Tremors II: Aftershocks that you claim I
never returned (let it go, bro). I did,
however, dig up the following dusty gems:
Wheat – White Ink Black Ink
Americans like short things:
lines, books, hair, conversations, etc.
Sometimes even using full sentences takes too long; it’s why we invented
Twitter. Thankfully, there is a band
called Wheat. Not only is their name
economical, but more than half of
White
Ink Black Ink is under the four minute mark. You just can’t argue with odds like
those. Each track loyally embraces the
simplicities of song craft and the complexities of song experience; meaning,
the album will probably appeal to those of us that appreciate music straight
up, minus additives like weird stupid metaphors and lengthy experimental
escapades. Of course there are flaws to
this logic, the most obvious being 2009’s love affair with electro beats and
dance-driven, overproduced indiepop. The
kids want to
move and while
White Ink has no shortage of catchy
hooks and gung ho knocks, the resulting mood does not exactly inspire bods to
hula, which is basically a compliment but commercially a loss. At its best, the album sounds vaguely like
the byproduct of a musical three-way:
the cool nonchalance of slacker rock + timeless anthemic sway + a dash
of requisite “indie” flair (the indefinable “all spice”). Suggested tracks: the first half of the album.
Website /
Myspace
UltraChorus – Ultra-Def
Speaking of electro beats:
Minneapolis
electronica duo UltraChorus recently released
Ultra-Def, a brain cell-shattering smattering of slick robot
grooves. This ain’t music for your
grandma (unless grandma gets her freak on).
As I mentioned in my
review
of
Words Kept Talking (7” single),
being an electro-lovin’ musician in Minnesota
is akin to being a minority in Minnesota: you’re in the minority. UltraChorus may very well be a shining fiber
optic star in a universe of bland, denim-encased chunks of coal, and the
world…of Minnesotans might never know.
Such a shame because
Ultra-Def
is solid material. It pumps you up, but
not in a
Jock Jams
sort of way, and
warms the innards without leaving a metallic aftertaste. A distinct
rhythmic base connects each track
without distorting identity; this attention to continuity gives us
simpletons
something to hold on to, a sort of symbolic Roller Coaster lap bar.
Suggested tracks: “Words Kept Talking,” “Houseparty 5” and the
super-mixed-everything-but-the-kitchen-sink “Yucatan Peninsula.”
Website /
Myspace
Kordan – Fantasy Nation
Wow, Arthur Eisele (Kordan) sure knows how to befuddle a
critic. Is
Fantasy Nation a concept album?
Or is it dreamy electro-pop disguised as a concept album? Maybe it’s a soundtrack to a film not yet
written: something Japanese but inspired
by French New Wave—a love story, perhaps, set in the stylish future, where the
girls look like Francoise Hardy and the boys busy their arms with battered anthologies
of 19
th century existentialism.
Something like that. Honestly,
the effort required to simplify
Fantasy
Nation—to break it down, if you will—seems pointless, irreverent
even. The album succeeds as a fluid
movement, a continuous aural flow. What
it isn’t (and, incidentally, what may hinder mainstream marketing) is track-driven. Sure, I’ve picked a favorite (the wispy,
Gainsbourg/Birkin-esque “Slouchy Girl”) but that’s just personal preference and
an ear for melancholy vocals. As an
objective writer, I’d advise readers to avoid listening to
Fantasy on shuffle mode; fight the urge to single-song download,
readers (you wouldn’t treat
In the
Aeroplane over the Sea in such a defiling manner, would you?). Suggested tracks: listen to the whole damn EP (EP = short and
sweet).
Website /
Myspace
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