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You wouldn't think The Midway State (MySpace) would be as good as they are...at least, not if you let some of the information provided on the one-sheet for their upcoming debut album, Holes, influence you. First of all, they were signed to Interscope Records, those wonderful industry giants who have brought you the likes of Soulja Boy and Queens of the Stone Age, by label president Jimmy Iovine himself. Strike one. They worked with "Stevo" from SUM 41 on the video for their second single. Strike two. Finally, they recorded their album with "multi-platinum producer" Gavin Brown, best known for his work with...Three Days Grace?! Strike three--get the hell outta the....
But wait. Have you actually listened to their stuff yet?
When you do, you'll find yourself kicking yourself in the ass for letting assumptions get the better of you. The Midway State are a great band, and if Holes is any indication, they've got quite a career ahead of them and, quite frankly, I'm glad they're signed to a label as big as Interscope, because they deserve to be widely heard. The world of mainstream pop/rock is in desperate need of an infusion of good, solid music that is both palatable to a wide range of listeners but is still creative and full of heart. The Midway State bring a refreshing shower of good ol' rock-n'-roll rich in melodies and sensitive lyrics to the desert of pop radio, but still evince enough "indie cred" in their music to attract the SXSW crowd.
In 2001, while still in highschool in Collingwood, Ontario, pianist/frontman Nathan Ferraro and longtime friend and drummer Daenan Bramberger teamed up with bassist Adam Beamish and guitarist Ryan Horning to form Midway State. After an inaugural tour that drew some well-earned attention, the four fellas moved to Toronto in hopes of Making It Big. After being noticed by producer Gavin Brown, the band replaced Beamish and Horning "after much debate" (read that however you like) with bassist Mike Kirsh and guitarist Michael Wise. The group then set out refining their sound, touring, and producing two EPs, 2006's Eponymous and 2007's Met a Man on Top of the Hill, the latter of which featured their first single, the incredibly radio-friendly "Change For You." Considering their history, it's very tempting to think of the band as just another "made for radio" Future One-Hit Wonder. But Holes, the band's first full-length album (which also features "Change For You"), is a legitimately good album that proves the praise the band's EPs have earned is more than warranted.
Vocalist and pianist Ferraro freely admits that he loves Coldplay and Snow Patrol (as well as Peter Gabriel, Cat Stevens, and even Carole King), and Holes captures the piano-driven sound of Coldplay's A Rush of Blood to the Head without sounding derivative. In fact, though the Coldplay influence is obvious, The Midway State's sound is clearly inspired by the dramatic songwriting of the aforementioned Cat Steves and Carole King, and as such has a prominent '70s pop-rock feel to it--a sound familiar to fans of bands like Rooney and the Pernice Brothers. Each song is primarily built around lead melodies courtesy of Ferraro's expert piano riffs and Wise's catchy guitar lines, but regardless of the slick basslines and rockin' beats, Ferraro's gorgeous baritone voice and tender, personable lyrics are the main attractions, especially in songs like album-opener "Never Again" and the positively-beautiful "Nobody Understands." For some strange reason, I've heard The Midway State called emo...and though their songs are indeed built around melodies and lyrics that carry a lot of emotion (which gives them that magic authenticity that ensures listeners will relate to them on a personal level and therefore take them into their hearts), there is none of the overwrought hysteria and whiny melodrama that defines "emo" evident in even the album's most heavy-hearted numbers, "Nobody Understands"--which quite literally explains every relationship I've ever been in--and "Can't Stop Waking Up To You." Instead of crocodile tears and teenage poetry, Ferraro's lyrics capture the same artful truth of Peter Gabriel's "In Your Eyes," which is something that everyone from lovelorn teenagers to twice-married adults can identify with.
In fact, after listening to this album, I've become a fan of Gavin Brown's production despite his association with Three Days Grace. This is a perfectly-produced album. Unlike Coldplay's A Rush of Blood to the Head, the piano leads do not sound weak and badly-EQed, but have the same robust sound you'd expect to hear live. The drums mesh seamlessly with the basslines, and the guitars are pristine. Best of all, Ferraro's vocals are always crystal-clear in the mix without dominating the music.
All-in-all, this is simply a great album that has songs to match every mood. I highly recommend it.
Oh, and here's a little interesting fact about the band: Nathan Ferraro, like me, is synaesthetic--that is, he hears colors and sees sounds. Says Ferraro, "Every song that really resonates with me comes coupled with a distinct colour palette. When I listen to any song on Holes I see a different shade. 'Nobody Understands' is dark rose red, 'Never Again' is a saturated royal blue. At least, I think so...the irony is I'm also red-green color blind, so who knows really!" Well, sir, you're absolutely right: "Nobody Understands" is indeed a lush, velvety red (shot through with tones of deep blue generated by the introductory synth-pad melody) and "Never Again" is definitely a deep blue, though my brain sees the lead guitar riff as a scintillant rusty orange. Needless to say, this is a great album for synaesthetes: the color/sound texture varies widely from song to song, which adds an extra dimension of pleasure for those of us with crosswired brains!
The Midway State are currently touring Canada, but will also be playing two dates in the United Kingdom this August. Check 'em out!
Editor's Note: Holes is on limited release July 22nd, a full official release in September. -Vu 7/17/08 10:06 PM
