We Heart Music had the opportunity to chat with Cyrille Aimée as she embarks on a world tour to promote her latest album à Fleur de Peau out on Via Recordings March 8th with a stop at the Dakota on March 19th. Born and raised in the town of Samois-sur-Seine just outside of Paris, Aimée’s love of music began early for two prescient reasons: Her mother who is from the Dominican Republic filled the household with the music of salsa, merengue and bachata. Also, Samois-sur-Seine is the hometown of legendary gypsy jazz guitarist Django Reinhardt. And as a young teenager, Aimée would sneak out of the house to spend time with the performers when they arrived for the annual Reinhardt music festival. I asked Aimée if she would have any time to get back home during her Paris show, but she said there was no time in the schedule. I then asked if there was a music venue where she felt at home and most connected to the audience. She didn’t want to play favorites but did mention the Birdland in New York City for “New Yorkers have high standards.” It was in NYC that a young Aimée studied Jazz at SUNY Purchase and quickly lined up gigs, even recording before graduating in 2009. Aimée lived in New York for ten years, but eventually moved to New Orleans. I said I saw her videos on Instagram dancing in the streets during Mardi Gras recently and asked if she was having as much fun as it looked.
“Second Line dancing is my most favorite thing,” she responded. She then told me that Second Line dancing isn’t just reserved for Mardi Gras but happens every Sunday (except during the heat of Summer). What’s not to love in a place that lets you dance in the middle of the street once a week? Listening to Aimée, you could tell she has a deep love of New Orleans. “Not the hustle of New York… Neighbors that are my best friends… Lots of support and love.” She even captures these scenes on her new single “Beautiful Way”. What I gathered chatting with Aimée, listening to her music and watching her YouTube channel is crystalized by Stephen Holden of the New York Times when he described her musical style as: “Everything is connected and integrated into an internationalist concept of jazz that has no stylistic hierarchy.” Aimée is a bright star and wonderful singer, but she doesn’t let it override the music. She is part of the band, and the band is there for the music. I told Aimée that I really enjoyed her bouncy cover of "La Vie en Rose" with the Emmet Cohen Trio, a song performed in the comforts of Cohen’s Harlem living room. I asked her how much preparation went into playing an iconic song in such a different vein. “I told the band Second Line,” she replied. And away they went with Aimée dancing
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