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As I previously mentioned, I had my eye on the Tamron 50-400mm lens, since I wanted a nice long reach at 400mm… but unfortunately, due to the F6.3 (at 400mm), it’s not suitable for photographing concerts.
Then, the idea popped in my head to look at the Sony 70-200mm GM F2.8 OSS lens. This is the original lens that started Sony’s Gold Master (or G Master) lens line up in 2016. Sony has four types of lens: basic (not labeled), Zeiss (developed in cooperation with Carl Zeiss), G (Gold), and GM (Gold Master). G Master is the highest tier, basically the best of the best.
For most photographers, any lens, at any F-Stop should be fine in daytime. For people shooting night photography, you want a low F-Stop… so for a time, I just thought the G Master lens was just too expensive.
But as I looked into it, the low F2.8 started to look more attractive. Once Sony released a version 2 of the 70-200 in 2021, prices for the original version dropped from $2,500 to $2,000… making it slightly more affordable.
When you read into it, you find out that the lens can produce 30 frames a second, if you have a camera that can take advantage of it (no third party lens can do this per Sony’s restrictions). On top of that, with a 2x teleconverter, you can turn the Sony 200mm lens to a 400mm (but it will make the lens a F5.6). Finally, Sony’s Ring Drive Super Sonic wave motor, with Double linear motor, combined with Optical Stabilization (OSS), is one of the fastest autofocusing system on the market.
Basically, I’m just trying to convince myself that all these future-proof features are worth the $2,000 I paid for the lens. And guess what? After using it for concert photo shoot, it’s absolutely worth it!
I’m serious, every shot I looked at my view screen and I’m like Wow! That’s sharp! After a few more shots, I’m like all these photos are keepers!
The Sony G-Master lens, at low light, is on another level! I’ve been using the Tamron 28-200mm (F5.6 at the 200mm end), and while the lens performs fine in good light… it does produce grainy or soft images when you’re shooting in poor lighting conditions.
Now for the negative: the first generation of the 70-200mm F2.8 GM lens is heavy. It’s really heavy. Officially, Sony lists the lens as weighing 3.3lbs, but it feels like 5lbs (the version 2 solves the weight problem by bringing it down to 2.3lbs). Basically, you’ll need both your hands to shoot. You’re going to tire out after a long shooting session… so most people use a tripod or monopod. In fact, Sony knows this, and included a removable tripod foot for the lens (which doesn’t fit Arca mounts).
The lens is also very long at 8 inches (12 with the hood… it’s the size of a Subway sandwich). The reason for this is because of the internal zooming mechanics. Adding the lens hood, the GM lens is twice as long as my Tamron 28-200 when collapsed.
The size and weight of the 70-200 GM lens makes it unconventional to just bring to, like a birthday party, or just randomly doing impromptu street photography. This is a business lens, that requires planning and commitment.
Still, despite the monstrous size and weight, I think it’s a fair tradeoff for amazing image quality. You can always look at version 2, if the weight bothers you, but I don’t think it’s worth the extra $800.
Anyway, from my experience of shooting with the 70-200 GM lens, I think it’s a very, very good lens. I’m going to try and take it on a hike, when the weather is a little warmer.
P.S. I was surprised to see that the 70-200 GM lens came with its own padded carrying case (with shoulder strap). All the lens I’ve ever purchased never came with its own custom carrying case, so this is a very nice addition.
Then, the idea popped in my head to look at the Sony 70-200mm GM F2.8 OSS lens. This is the original lens that started Sony’s Gold Master (or G Master) lens line up in 2016. Sony has four types of lens: basic (not labeled), Zeiss (developed in cooperation with Carl Zeiss), G (Gold), and GM (Gold Master). G Master is the highest tier, basically the best of the best.
For most photographers, any lens, at any F-Stop should be fine in daytime. For people shooting night photography, you want a low F-Stop… so for a time, I just thought the G Master lens was just too expensive.
But as I looked into it, the low F2.8 started to look more attractive. Once Sony released a version 2 of the 70-200 in 2021, prices for the original version dropped from $2,500 to $2,000… making it slightly more affordable.
When you read into it, you find out that the lens can produce 30 frames a second, if you have a camera that can take advantage of it (no third party lens can do this per Sony’s restrictions). On top of that, with a 2x teleconverter, you can turn the Sony 200mm lens to a 400mm (but it will make the lens a F5.6). Finally, Sony’s Ring Drive Super Sonic wave motor, with Double linear motor, combined with Optical Stabilization (OSS), is one of the fastest autofocusing system on the market.
Basically, I’m just trying to convince myself that all these future-proof features are worth the $2,000 I paid for the lens. And guess what? After using it for concert photo shoot, it’s absolutely worth it!
I’m serious, every shot I looked at my view screen and I’m like Wow! That’s sharp! After a few more shots, I’m like all these photos are keepers!
The Sony G-Master lens, at low light, is on another level! I’ve been using the Tamron 28-200mm (F5.6 at the 200mm end), and while the lens performs fine in good light… it does produce grainy or soft images when you’re shooting in poor lighting conditions.
Now for the negative: the first generation of the 70-200mm F2.8 GM lens is heavy. It’s really heavy. Officially, Sony lists the lens as weighing 3.3lbs, but it feels like 5lbs (the version 2 solves the weight problem by bringing it down to 2.3lbs). Basically, you’ll need both your hands to shoot. You’re going to tire out after a long shooting session… so most people use a tripod or monopod. In fact, Sony knows this, and included a removable tripod foot for the lens (which doesn’t fit Arca mounts).
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Size Matters: Sony 70-200mm vs Tamron 28-200mm
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The size and weight of the 70-200 GM lens makes it unconventional to just bring to, like a birthday party, or just randomly doing impromptu street photography. This is a business lens, that requires planning and commitment.
Still, despite the monstrous size and weight, I think it’s a fair tradeoff for amazing image quality. You can always look at version 2, if the weight bothers you, but I don’t think it’s worth the extra $800.
Anyway, from my experience of shooting with the 70-200 GM lens, I think it’s a very, very good lens. I’m going to try and take it on a hike, when the weather is a little warmer.
P.S. I was surprised to see that the 70-200 GM lens came with its own padded carrying case (with shoulder strap). All the lens I’ve ever purchased never came with its own custom carrying case, so this is a very nice addition.
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