|
Read More
|
Before he was Father John Misty, he was known as Josh Tillman, or rather by his billing stagename, J. Tillman. We caught J Tillman at the Music Box, which is an old converted theater in the Loring Park area.
>>>
Despite his minor fame with unpopular, critically-ignored ------ Fleet Foxes, Josh Tillman has been active in the music scene since 2004. This past September he released Year in the Kingdom, a 9-track odyssey through stoic mountain towns by way of moderate folk sensitivity. Merely 28, Tillman evokes an image of timeless worldly servitude that befits his preferred musical genre but also confuses. He acts the part in person—bearded, casually nondescript, a man of few words; yet once he hits that first note, it’s obvious there’s something judicious beneath the weathered layers. For one, the quality of his voice is beautiful. There is simply no masculine way to describe it. The probability that Tillman drinks and indulges like a big boy is high, but you wouldn’t know by listening to him sing. Perhaps the impressive facial shrub is actually a clever disguise, masking a sweet, even-tempered fellow who rescues kitties and bakes things for charity. Doubtful, but my point being Tillman’s ambiguity—it’s equally believable that he wandered into town from the wide blue yonder as it is that he stumbled on stage from the local, artist-packed watering hole.
Year in the Kingdom remembers a simpler era that Tillman was not alive to experience. Softer tracks cite 60s folk influences like Joni Mitchell, had Mitchell penned her songs in a humble log cabin, without basic comforts save for canned beans and a faithful canine companion. The sparse “Age of Man” is a few twangs/few stringed instruments short of Americana territory, while “Though I Have Wronged You” reminds us that Tillman isn’t seriously concerned by FF comparisons. At times matter-of-factly somber (“There is No Good in Me”), the album lulls its listeners into a false feeling of peace (albeit reflective, disquieting peace) that does not prepare the ears for the sheer force of Tillman’s live rocking.
Kingdom-the-album clashed awesomely with Friday night’s show at the Music Box Theatre in Minneapolis. I now have a physical point of reference for the expression “it blew my mind,” as I’m pretty sure I lost a piece of my skull when Tillman blew my mind. Similar to the structure of the studio tracks—gentle start, build-up, full instrumental progression—the show began as one would expect had they listened to Kingdom: Tillman + band = traditional 3-dimensional engagement. Then, maybe a third of the way into the set, all hell broke loose. Cue roar of full instrumental capacity, skin-tingling whine of amped slide guitar, psychedelic transformation, and crazy apeshit thrashing. On top of everything unholy, we, the audience, bore witness to grown men playing plastic recorders and finger cymbals. Surely I wasn’t the only one to lose some head mass by the end of the night.
Cerebral hemorrhage notwithstanding, strong tracks like “Though I Have Wronged You” sounded ridiculously swollen with intensity and deliberate flair. Not showy, per se; rather, phrenic but perverted by foggy invention. It was like walking into the Louvre for the first time—extraordinary but strangely unfocused, as if the senses were forced into overdrive. Had I lapped a taste of Tillman’s sweat*, the experience would’ve been complete. Unfortunately, there was no exchange of bodily fluids; there wasn’t even an encore (a mumbled “thanks” and the musicians made their hasty exit). It didn’t matter. How do you follow an act like yourself?
A few random thoughts without homes: in high school, Tillman visited Crown, a conservative Christian college in St. Bonifacius, MN; Miracle Whip is the default condiment of Fargo, ND, this according to the band; Josh’s younger brother, Zach, opened the show and also played bass for the elder Tillman’s set.
J. Tillman is currently on tour in support of Year in the Kingdom. Upcoming shows include stops in Chicago and New York. For more information or to listen to select tracks, visit his Myspace.
* I’m not a creeper, promise.
>>>
Despite his minor fame with unpopular, critically-ignored ------ Fleet Foxes, Josh Tillman has been active in the music scene since 2004. This past September he released Year in the Kingdom, a 9-track odyssey through stoic mountain towns by way of moderate folk sensitivity. Merely 28, Tillman evokes an image of timeless worldly servitude that befits his preferred musical genre but also confuses. He acts the part in person—bearded, casually nondescript, a man of few words; yet once he hits that first note, it’s obvious there’s something judicious beneath the weathered layers. For one, the quality of his voice is beautiful. There is simply no masculine way to describe it. The probability that Tillman drinks and indulges like a big boy is high, but you wouldn’t know by listening to him sing. Perhaps the impressive facial shrub is actually a clever disguise, masking a sweet, even-tempered fellow who rescues kitties and bakes things for charity. Doubtful, but my point being Tillman’s ambiguity—it’s equally believable that he wandered into town from the wide blue yonder as it is that he stumbled on stage from the local, artist-packed watering hole.
Year in the Kingdom remembers a simpler era that Tillman was not alive to experience. Softer tracks cite 60s folk influences like Joni Mitchell, had Mitchell penned her songs in a humble log cabin, without basic comforts save for canned beans and a faithful canine companion. The sparse “Age of Man” is a few twangs/few stringed instruments short of Americana territory, while “Though I Have Wronged You” reminds us that Tillman isn’t seriously concerned by FF comparisons. At times matter-of-factly somber (“There is No Good in Me”), the album lulls its listeners into a false feeling of peace (albeit reflective, disquieting peace) that does not prepare the ears for the sheer force of Tillman’s live rocking.
|
J Tillman
|
Cerebral hemorrhage notwithstanding, strong tracks like “Though I Have Wronged You” sounded ridiculously swollen with intensity and deliberate flair. Not showy, per se; rather, phrenic but perverted by foggy invention. It was like walking into the Louvre for the first time—extraordinary but strangely unfocused, as if the senses were forced into overdrive. Had I lapped a taste of Tillman’s sweat*, the experience would’ve been complete. Unfortunately, there was no exchange of bodily fluids; there wasn’t even an encore (a mumbled “thanks” and the musicians made their hasty exit). It didn’t matter. How do you follow an act like yourself?
A few random thoughts without homes: in high school, Tillman visited Crown, a conservative Christian college in St. Bonifacius, MN; Miracle Whip is the default condiment of Fargo, ND, this according to the band; Josh’s younger brother, Zach, opened the show and also played bass for the elder Tillman’s set.
J. Tillman is currently on tour in support of Year in the Kingdom. Upcoming shows include stops in Chicago and New York. For more information or to listen to select tracks, visit his Myspace.
* I’m not a creeper, promise.
J. Tillman at the Music Box Theatre, Minneapolis (06 Nov 2009) |
| vu ([email protected]) ♥ weheartmusic.com ♥ facebook.com ♥ twitter.com |
Comments