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Arcade Fire at Target Center
Show Poster
Setlist
Tour Dates
03/12 Pittsburgh Pittsburgh, PA
03/13 Toronto Toronto, Canada 03/14 Ottawa Ottawa, Canada 03/16 Cleveland Cleveland, OH 03/7 Philadelphia Philadelphia, PA 03/18 Conneticut Bridgeport, CT 03/28 Vive Latino Festival Mexico City, Mexico 03/30 Lollapalooza: Chile 04/01 Lollapalooza: Argentina 04/04 Rio de Janeiro Rio De Janeiro, Brazil 04/06 Lollapalooza: Brazil Sao Paulo, Brazil 04/09 Houston Houston, TX 04/10 Austin Austin, TX 04/13 Coachella Indio, CA 04/20 Coachella Indio, CA 04/23 Colorado Denver, CO 04/26 Kansas City Kansas City, MO 04/27 St Louis St Louis, MO 04/29 Columbus Columbus, OH 05/01 Nashville Nashville, TN 05/02 Atlanta Atlanta, GA 05/04 New Orleans Jazz & Heritage 05/29-05/31 Primavera Festival 05/31 Rock In Rio Lisbon, Portugal 06/03 Paris Paris, France 06/06 London, United Kingdom 06/07 London, United Kingdom 06/09 Pinkpop Landgraaf, Netherlands 06/10 Antwerp Merksem, Belgium 06/12 Norwegian Wood Festival Oslo 06/15 Northside Festival Aarhus, Denmark 06/17 Dresden Dresden, Germany 06/18 Berlin Berlin, Germany 06/20 Southside Festival Tuttlingen 06/20 Hurricane Festival Scheessel 06/23 Rock In Roma Rome Rm, Italy 06/24 Verona Verona, Italy 06/29 Dublin Dublin, Ireland 07/30 Mountain View Mountain View, CA 08/08 Seattle Seattle, WA 08/09 Squamish Valley Festival Squamish 08/11 Edmonton Edmonton, Canada 08/12 Calgary Calgary, Canada 08/14 Winnipeg Winnipeg, Canada 08/17 Washington Washington, DC 08/19 Mansfield Mansfield, MA 08/20 Bangor Bangor, ME 08/22 Brooklyn Brooklyn, NY 08/23 Brooklyn Brooklyn, NY 08/24 Brooklyn Brooklyn, NY 08/26 Chicago Chicago, IL 08/27 Chicago Chicago, IL 08/29 Toronto Toronto, Canada 08/30 Montreal Montreal, Canada Read More
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Let’s take a Roll Call of who was present at Arcade Fire’s second arena show of their Reflektor Tour—
Astronaut- check, ...Teletubbies, giant bottle of ketchup, fairy princess, Superman, woman in a banana outfit, and a lot of people that were supposedly in formal attire... but just looked like they’d come from a job interview or church, were there too.
They had all heeded the call of the Montreal band’s request to come dressed in costume or formally, for what turned out to be a mostly satisfying, eclectic show at the Target Center in Minneapolis.
The evening actually started at the back of the arena, on the soundboard platform that had been transformed to a DJ station, complete with camouflage netting, lighted oil drums, and a hydraulic lift. Kid Koala started the night’s festivities, donned in a brown koala-like hoodie, spinning old school turntables for a set that even included his remixed version of classic crooning song, ‘Moon River’.
Dan Deacon, known for his crowd-interactive DJ sessions followed, involving the entire general admission floor into a dance circle and contest, including a giant-headed masked Win Butler, who was shaking and moving with the pack on the floor.
The two-hour surreal arena spectacle then began, as a completely mirrored figure walked to the back platform stage, met by The Reflektors, the “fake band” adorned in oversized head masks that included Arcade Fire singer Win Butler, wife Régine Chassagne, and multi-instrumentalist Owen Pallett , who began with a sparse ‘My Body is a Cage’, from 2007’s Neon Bible.
The rest of the 12-person strong band then was revealed on the main stage, for the title track from their Reflektor double album (Merge Records), which sounded more immediate live than on the record, and personified the art-party vibe of the evening.
The band, which included conga drummers and a string section, then went through the next several numbers in rapid-fire succession (“C’mon, let’s go!”, Butler shouted), without pause, and with each song smoothly transitioning into the next, images flashing from the disco-mirrored stage onto the multi-hexagonal screens on either side.
"This is the perfect song for the Target Center- it's a song called 'The Suburbs”, the lanky Butler intro’d, catching his breath long enough to briefly address the audience after a half-hour in, and that wasn’t the end of the band’s clever local-centric commentary.
‘We Exist’ was prefaced by an intro from Butler about the song’s inspiration of a gay youth trying to awkwardly have that conversation with his father, and the new classic, ‘Normal Person’ had the entire floor crowd pogoing in unison at the chorus.
Musically overall, the new songs were more robust live, due to the added personnel and energy and the slower songs more soulful in delivery. ‘Sprawl II (Mountains Beyond Mountains)’ was the vocal showcase for Chassagne and served as the main set closer.
Lights went down and the bobble-headed Reflektors re-appeared on the B-stage, drumming lethargically to a piped-in ‘When You Were Mine’ by Prince, before Butler stopped them mid-song from the main stage, to don a 4-sided video screened head and lead the full band in a driving, authentically funky version of The Purple One’s ‘Controversy’(The 1981 A-Side to ‘When You Were Mine’s vinyl B-Side). The cubed, illuminated head showed Prince’s own face singing, as well as controversial House Rep Michele Bachmann, in a brilliant piece of satire amidst playing a great cover song.
This segued into a spirited, island-inspired ‘Here Comes the Night Time’ and ended with alt-anthem ‘Wake Up’, from the band’s first album, Funeral.
Like most notable works of art, their evolution is a work-in-progress, which will refine further as the tour progresses. But, on this, only their second night of arena-sized performances, Arcade Fire affirmed their ability to regularly play on a scale this large… and guaranteed good “people-watching” of fans in attendance.
Astronaut- check, ...Teletubbies, giant bottle of ketchup, fairy princess, Superman, woman in a banana outfit, and a lot of people that were supposedly in formal attire... but just looked like they’d come from a job interview or church, were there too.
They had all heeded the call of the Montreal band’s request to come dressed in costume or formally, for what turned out to be a mostly satisfying, eclectic show at the Target Center in Minneapolis.
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Kid Koala
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Dan Deacon
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The two-hour surreal arena spectacle then began, as a completely mirrored figure walked to the back platform stage, met by The Reflektors, the “fake band” adorned in oversized head masks that included Arcade Fire singer Win Butler, wife Régine Chassagne, and multi-instrumentalist Owen Pallett , who began with a sparse ‘My Body is a Cage’, from 2007’s Neon Bible.
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Arcade Fire
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The band, which included conga drummers and a string section, then went through the next several numbers in rapid-fire succession (“C’mon, let’s go!”, Butler shouted), without pause, and with each song smoothly transitioning into the next, images flashing from the disco-mirrored stage onto the multi-hexagonal screens on either side.
"This is the perfect song for the Target Center- it's a song called 'The Suburbs”, the lanky Butler intro’d, catching his breath long enough to briefly address the audience after a half-hour in, and that wasn’t the end of the band’s clever local-centric commentary.
‘We Exist’ was prefaced by an intro from Butler about the song’s inspiration of a gay youth trying to awkwardly have that conversation with his father, and the new classic, ‘Normal Person’ had the entire floor crowd pogoing in unison at the chorus.
Musically overall, the new songs were more robust live, due to the added personnel and energy and the slower songs more soulful in delivery. ‘Sprawl II (Mountains Beyond Mountains)’ was the vocal showcase for Chassagne and served as the main set closer.
Lights went down and the bobble-headed Reflektors re-appeared on the B-stage, drumming lethargically to a piped-in ‘When You Were Mine’ by Prince, before Butler stopped them mid-song from the main stage, to don a 4-sided video screened head and lead the full band in a driving, authentically funky version of The Purple One’s ‘Controversy’(The 1981 A-Side to ‘When You Were Mine’s vinyl B-Side). The cubed, illuminated head showed Prince’s own face singing, as well as controversial House Rep Michele Bachmann, in a brilliant piece of satire amidst playing a great cover song.
This segued into a spirited, island-inspired ‘Here Comes the Night Time’ and ended with alt-anthem ‘Wake Up’, from the band’s first album, Funeral.
Like most notable works of art, their evolution is a work-in-progress, which will refine further as the tour progresses. But, on this, only their second night of arena-sized performances, Arcade Fire affirmed their ability to regularly play on a scale this large… and guaranteed good “people-watching” of fans in attendance.
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Arcade Fire at Target Center, Minneapolis (08 March 2014) |
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