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09/28/09 Criminal Records Atlanta, GA
Discography
09/28/09 The Earl Atlanta, GA 09/29/09 Local 506 Chapel Hill, NC 09/30/09 Black Cat Washington DC 10/01/09 Ottobar Baltimore, MD 10/03/09 Webster Hall NY 10/05/09 First Unitarian Church Phila, PA 11/17/09 Bikini Barcelona 11/18/09 Circo Price Madrid 11/19/09 Tinglado 2 Valencia 11/20/09 Santana 27 Bilbao 11/21/09 Confort Moderne Poitiers 11/22/09 Point Ephemere Paris 11/28/09 Reverence @ ICA London 11/30/09 Thekla Bristol 12/01/09 Academy 2 Liverpool 12/02/09 Academy 2 Newcastle 12/03/09 Stereo Glasgow 12/04/09 Academy 2 Manchester 12/05/09 Academy 2 Birmingham
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The Pains of Being Pure at Heart – Higher Than the Stars EP
A few months ago, certain people were sure that the apocalypse was nigh. Or at least, (for lack of a better term) the twee-pocalypse. Why else would a band like the Pains of Being Pure at Heart be on the Carson Daly Show or have a commercial on MTV U? The simple answer: they are a solid band who released a solid album. On their latest EP, Higher Than the Stars, the Pains once again showcase their pop prowess, all the while reminding us that it is possible to live in a world where our playlists can intersect with Carson Daly.
Consisting of four new tracks and one remix, Higher Than the Stars maintains all the rollicking melodies and winking lyrics found on their debut album, but there’s clearly something crisper and more focused going on. A track like “103” begins like any other Pains song, with an infectious beat and Kip Berman’s mumbled vocals, but towards the end, the synths and guitars kick in for a last hurrah, seamlessly adding another layer of interest to the song. It’s nothing major, but it’s definitely something new and intriguing.
The band has yet to move away completely from their jangly roots, but the EP hints at a slightly less lo-fi sensibility. “Falling Over” and “Twins” both lack the fuzz from the first album, but they hardly seem to be hurting because of it. “Twins” especially benefits from the cleaner sound, making the guitars more palpable and Peggy Wang’s background vocals all the more prevalent. Lead single, “Higher Than the Stars,” shows the band heading towards a more polished sound but staying true to their shambling aesthetic. It is the surprisingly ethereal remix of the same song that proves that the band has potential for experimenting with other sounds. Even under a heavy wave of drum machines and synths, the song’s simple chorus (“in the back of her mother’s car”) keeps all of its charm and wayward naiveté intact.
Despite the average pop kid’s reluctance to see their favorite bands succeed in the “real” world, I have no qualms about seeing the Pains acquiring even a Belle-and-Sebastian-level of stardom. They definitely deserve it. So go ahead, put them on awkward indie movie soundtracks or even an Outback Steakhouse commercial. I have a feeling it’s not going to change them.
A few months ago, certain people were sure that the apocalypse was nigh. Or at least, (for lack of a better term) the twee-pocalypse. Why else would a band like the Pains of Being Pure at Heart be on the Carson Daly Show or have a commercial on MTV U? The simple answer: they are a solid band who released a solid album. On their latest EP, Higher Than the Stars, the Pains once again showcase their pop prowess, all the while reminding us that it is possible to live in a world where our playlists can intersect with Carson Daly.
Consisting of four new tracks and one remix, Higher Than the Stars maintains all the rollicking melodies and winking lyrics found on their debut album, but there’s clearly something crisper and more focused going on. A track like “103” begins like any other Pains song, with an infectious beat and Kip Berman’s mumbled vocals, but towards the end, the synths and guitars kick in for a last hurrah, seamlessly adding another layer of interest to the song. It’s nothing major, but it’s definitely something new and intriguing.
The band has yet to move away completely from their jangly roots, but the EP hints at a slightly less lo-fi sensibility. “Falling Over” and “Twins” both lack the fuzz from the first album, but they hardly seem to be hurting because of it. “Twins” especially benefits from the cleaner sound, making the guitars more palpable and Peggy Wang’s background vocals all the more prevalent. Lead single, “Higher Than the Stars,” shows the band heading towards a more polished sound but staying true to their shambling aesthetic. It is the surprisingly ethereal remix of the same song that proves that the band has potential for experimenting with other sounds. Even under a heavy wave of drum machines and synths, the song’s simple chorus (“in the back of her mother’s car”) keeps all of its charm and wayward naiveté intact.
Despite the average pop kid’s reluctance to see their favorite bands succeed in the “real” world, I have no qualms about seeing the Pains acquiring even a Belle-and-Sebastian-level of stardom. They definitely deserve it. So go ahead, put them on awkward indie movie soundtracks or even an Outback Steakhouse commercial. I have a feeling it’s not going to change them.
09/27/2009 18:11:08 ♥ kateg (
) ♥ thepainsofbeingpureatheart.com ♥ myspace.com
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