Dark Dark Dark

Dark Dark Dark - Ashes Dark Dark Dark Tour Dates 11/07/08 TBA, Eindhoven eindhoven 11/08/08 TBA, Eindhoven eindhoven 11/09/08 TBA, Eindhoven eindhoven 11/10/08 Floere Foefke Gent 11/11/08 Radio Primitive Reims 11/12/08 Le Ludoval Reims 11/13/08 La Miroiterie Paris 11/14/08 Le Sonic Lyon 11/15/08 TBA, St. Etienne St Etienne 11/16/08 Ker Boui Boui MORDELLES 11/17/08 Jet FM (91.2FM or streaming) Radio nantes 11/17/08 Le Violon Dingue Nantes 11/18/08 El Inca Bordeaux 11/19/08 Loubieres house show in the countryside, Foix 11/21/08 La Médiathèque Associative Toulouse 12/10/08 Frequency Madison, WI 12/11/08 Heaven Gallery Chicago, IL 12/12/08 Elbow Room Ypsilanti, MI 12/13/08 Monster House Columbus, OH 12/14/08 Morning Glory Coffeehouse Pittsburgh, Pennsylvania 12/15/08 TBA Philadelphia, PA 12/16/08  Cake Shop Manhattan, NY 12/17/08 Whitehaus Boston, MA 12/18/08 AS220 Providence, RI 12/19/08 Union Pool Brooklyn, NY 12/21/08 Skull Alley Louisville, KY 12/22/08 Cinemat Bloomington, IN 12/27/08 Cedar Cultural Center Minneapolis, MN

Just in time for Halloween comes Dark Dark Dark, the band so gloomy they named it thrice. Largely accordion and banjo driven - with cello, standup bass and sporadic percussion and piano, the effect is an anachronistic glimpse at a troupe of gypsy minstrels, perhaps seeking a riverside campfire and a chance to play for their dinner. Oh, and there are ghosts there. Lots of 'em.

Ghosts, graveyards, bones, dreams, winter, drowning: this is the vocabulary of Dark Dark Dark. Water imagery abounds throughout. And why not? There has always been something rustically aquatic and 19^th century about a slow accordion song. Add a gently plucked banjo and a haunting vocal and it's impossible not to imagine a foggy, moon-lit Mississippi riverboat bedecked with ethereal waltzing couples festooned in patchwork finery under flickering oil-lamps in what amounts to a macabre Mark Twain fever-dream.

Come on, it can't be just me.

Yesterday saw the release of Dark Dark Dark's first full-length "The Snow Magic," which I think starts out with promise but in the end falls just short of delivering that promise. Opener "Ashes" is a beautifully morbid ditty which actually may qualify as an "anthem" but the passion fades a bit late into the album. That having been said; the damn thing is seriously growing on me. Their raw, slightly-under-rehearsed sound can be a bit off-putting initially. So why can't I stop listening? I love the tone of the thing. It's lyrically bleak, ominous; never in-your face. It's more Mary Shelley than Steven King, more Tim Burton than M. Night Shyamalan. There's no gruesome blood-bath here, more an overcast sense of foreboding. A requiem, not a murder. And considering the bleak nature of the lyrics, it's actually a fun album. There's some love imagery there. There's a nice interplay of male and female vocals that's rather endearing. Endearing...and sinister. I mean, obviously.

Having roots in Minneapolis, New York and I can only assume half the river-port towns in between, band members Nona Marie Invie, Marshall Lacount, Jonathan Kaiser and Todd Chandler seem to divide their affections equally to both aforementioned cities (In "Colors" they address the issue; "Which town do you like the best / it's too bad there's no ocean in Minneapolis"). Though the album's liner notes read like a who's-who in Minneapolis rock, having been produced by Rob Skoro, mastered by Dave Gardner and featuring guest-drummer Martin Dosh. If you don't recognize those names then don't worry about it. I guess I wasn't talking to you.

Links: myspace.com/darkdarkdarkband sad-music.net bloodonion.com

 10/29/2008 09:40:50  ♥ written by andrew ()