Mr. Gnome (MySpace) is a great name for a band, isn't it? It conjures up pleasant visions of little rolly-polly Santa Clauses in pointy red felt caps sitting in contemplation beneath dew-heavy dandelion blossoms or riding on fox-back through the halls of a sepiatoned forest. But, wait a sec, here....The cover of Mr. Gnome's first full-length album, Deliver This Creature (available now on Ohio-based label El Marko Records), is a rather creepy affair: silhouettes of children running from or supplicating themselves before an eerie rabbit-eared, blade-fingered eidolon against a washed-out sky. Strange, ethereal imagery that is backed up by the opening chords of the album's lead track, "Pirates": a light guitar melody and vaporous vocals floating over a soft but insistent beat--that suddenly explodes with harsh guitar riffs and vocalist's Nicole Barille's unearthly shouts.
Since their inception in 2005, Cleveland, Ohio's Mr. Gnome have released two EPs that have both raked in a lot of acclaim and comparisons to everyone from Massive Attack to Tool, Portishead to Death From Above 1979 and Bjork. The music of Nicole Barille and Sam Meister has been described as Alt-Rock, Metal, Post-Punk, and Progressive Rock. Basically, that means that no one can really pin 'em down--but I think I can. Imagine a somewhat harder, harsher Dead Can Dance--with more grinding, fuzzy guitars and less medeival instrumentation--and you've prettymuch nailed Mr. Gnome's sound. And it is a good sound (which only adds more credence to my belief that Cleveland, OH, is the northeast's equivalent of Athens, GA).
The combination of ethereal elements (almost always delivered via female vocalists) and heavy music is familiar to any who likes artists such as Evanescence, Lacuna Coil, and Within Temptation. Mr. Gnome definitely sounds similar to those bands, and will no doubt appeal to their fans, but one cannot compare Mr. Gnome to them too closely, for Mr. Gnome's songs are a lot more musically adventurous that anything the more "pop"-oriented Evanescence and others have produced. Traditional song structure is scarce on Deliver This Creature, as Mr. Gnome favors songs that come and go following dramatic patterns unique to each song. Whereas opening track "Pirates" is built upon a pretty straightfoward loud-soft-loud-soft formula, later tracks like the beautiful but somewhat chilling "Night of the Crickets" and the aggressive, screaming "I'm Alright" are as complex as many a prog-rock anthem with their dynamic orchestration. Barille and Meister write songs that scamper up and down the musical spectrum from quiet, breathless interludes and introductions to full-on hard-rock blasts of headbanging power. Nicole Barille sounds a lot like Lisa Germano during Mr. Gnome's quieter moments, and every song has a melodic center that carries it through its convolutions and helps to keep listeners centered. Each song may be a miniature, self-contained psychodrama, but one need not be an experienced prog or Dead Can Dance listener to be able to grab onto each song's hook and ride it while the music bucks and dances beneath them.
In fact, I would think that Mr. Gnome would be an excellent album to introduce fans of "ethereal" music to harder, more intricate acts like Porcupine Tree, Canvas Solaris, and perhaps even Tool. Music that can serve as a bridge between two worlds is always interesting, and very marketable, too. So definitely check out Mr. Gnome's debut album, Deliver This Creature, and see them live at the following shows. You can bet I'll be there in the audience at the Greensburg, PA date!
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