DOWN at Milwaukee Metal Fest (May 16, 2025)
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Lineup:
kris ♥ weheartmusic.com ♥ twitter.com |
DOWN at Milwaukee Metal Fest (May 16, 2025)
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Bury My Demons
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Bury My Demons
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Bury My Demons
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Bury My Demons
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Bury My Demons
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6five6
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Nest
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Nest
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Nest
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Nest
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Enslaved
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Legions of Doom
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Legions of Doom
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Legions of Doom
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Legions of Doom
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Legions of Doom
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Rotting Christ
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Rotting Christ
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Rotting Christ
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Rotting Christ
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Rotting Christ
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Rotting Christ
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Surefire
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Surefire
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Ruin Dweller
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Ruin Dweller
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Ruin Dweller
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Ruin
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Wolves in the Throne Room
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Wolves in the Throne Room
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Wolves in the Throne Room
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Pentagram
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Pentagram
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Pentagram
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Pentagram
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Pentagram
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SOD
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SOD
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SOD
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SOD
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SOD
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SOD
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SOD
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SOD
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SOD
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Chimaera
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Chimaera
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Chimaera
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Chimaera
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Chimaera
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Chimaera
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Chimaera
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DOWN
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DOWN
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DOWN at Eagles Ballroom (May 16, 2025)
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kris ♥ weheartmusic.com ♥ twitter.com |
Posted at 07:06 PM in Kris, Metal, Milwaukee, Milwaukee Metal Fest, Pentagram, Quynh, Wolves in the Throne Room | Permalink
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Milwaukee Metal Fest (May 16 to May 18, 2025)
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GWAR at Skyway Theatre (11 Oct 2019)
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Friday, May 16
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Saturday, May 17
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Sunday, May 18
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GWAR at Eagles Ballroom (May 18, 2025)
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quynh ♥ weheartmusic.com ♥ twitter.com |
Posted at 05:09 PM in Black Label Society, Down, GWAR, Kris, Metal, Milwaukee, Milwaukee Metal Fest, Quynh | Permalink
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Momma at Fine Line (May 19, 2025)
Tour Dates Previously: Momma at Azura Amphitheater (June 11, 2023) [ Continue Reading Momma at Azura Amphitheater (June 11, 2023) ] Read More
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The rain started and came with some lightening. Just down the road, the Minnesota Twins had just taken a 2-1 lead, when the tarp came down and the game was delayed. Over at Fine Line, the doors were just about to open for a show with indie band Momma, and thankfully security was very efficient getting people in before they got too wet.
Getting things going was Wishy. The Indianapolis-based band is an indie rock / shoegaze band, founded by Kevin Krauter and Nina Pitchkites. They have had several EP releases, as well as their debut album Triple Seven from 2023. The quintet (three guitars, bass, and drums) came out with dual vocals from Krauter & Pitchkites, with that full reverb effect closing it out. I hadn’t realized from my listen to the album how much these two share lead vocals, to the point of trading lines in the second song. Considering his slightly higher tenor and her lower alto, there’s some real overlap in ranges there.
As they got going on the next song, Love on the Outside, the bassist actually opened and consumed an entire Uncrustable just before he needed to come in with the riff. The nonchalance of it was pretty hysterical, but an odd moment for sure. Some technical difficulties led to a guitar change for Pitchkites, but interestingly, they had some music piped in during the fix. Back to the act, Wishy powered on, with dual vocals throughout. There’s a bit of pop sound in a lot of these songs and definitely some 90’s indie call back. Our third (non-singing) guitarist got a brief, solid solo and it felt like a very no-nonsense band doing their thing. A little programmed music helped fill out the sound on a late number with Pitchkites on vocal duties. It was Krauter’s turn to struggle through issues with his equipment, but the band carried on to finish the song. It was definitely the most time I had seen lost to technical difficulties in a long time, which was too bad as Wishy had been building a definite positive vibe. When things finally got fixed, we were told it was the last song, which held more than little irony. Still, Wishy threw in, with full reverb vocals, some distorted guitar and inclusion of tambourine. An appreciative audience cheered them off despite all the issues.
The headliner, Momma, is a Californian band now located in New York. Formed by friends Ella Friedman and Allegra Weingarten ten years ago, the band’s first album, Interloper, came out in 2018 and their newest, Welcome to My Blue Sky, was released in April, 2025 and the name of this tour supporting it. The quartet (guitars, bass, and drums) They came flying on stage exactly at nine, and got right into it. The second song (Fever) was straight rock energy and had the front half of the audience already jumping. There were a number of planned instrument changes in the early going and maybe the first time I have seen a bassist switching between songs.
Medicine was all driving, dark guitars and crashing cymbals. Pedals were being deployed in rapid succession, we got a somewhat disdainful note that someone had left “their Whole Foods and purse on stage”, followed by a “they sure did”. I loved the dry humor, but the band was nonplussed as they moved into Ohio All the Time. There’s a playfulness to the two leads for Momma, even as they edge into almost rock anthem style music, such as on Stay All Summer. It’s also contrasted by the newly emotionless bass player, whose facial expressions hardly changed (Was that a small grin? Who would know?).
A change in both lead guitars, including an acoustic was next. This was a dizzying pace of changing instruments, and special props to the crew member (Jack) who quickly and effectively helped those exchanges. Bottle Blonde may have been the most effective use of the dual vocals, overlapping harmonies closely. (Side note: We had some very odd and rambunctious audience members, but the band handled it all very well.) No Stage had its guitar solo intro to then turn the distortion on high and got great cheers to its vocal (“So put me on the big screen”).
The band noted what the audience had known for the last hour, “It’s f-ing hot up here”. We got another older song, Lucky, with a change in lead singer. With the assault of the guitars (and make no mistake, this was a loud show), Momma almost sounded like a hard rock band at several points. But just as quickly, they veered back to the lighter indie sound. A later song had a solid guitar interlude that once again had the center audience close to moshing. Motorbike hit the top of that energy for both band and audience. The title track from the new album was next, and was slightly slower, but had plenty of the pedal effects and intricate vocals. Krauter brought out shots for the band, and it was the downhill part of the roller coaster to the end.
A near fainting in the audience was averted and crowd and staff worked well to get them off to the bar for water. That led to a “stay hydrated, and oh yeah, this is our last song!”. Back on for an encore, we got a guest (Samantha) playing along on the first song, which was yet another delay as they got her going. But they finally moved forward to finish the night strong. As the crowd poured out of Fine Line, it was to a suspended Twins game as it was now raining cats and dogs. The cold weather was a welcome relief to the hot temperatures inside, but Momma had certainly pleased the Minneapolis crowd with a top notch performance.
Wishy
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Wishy
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Momma
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Momma
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Momma
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Momma
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Momma at Fine Line (May 19, 2025)
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thaddeus ♥ weheartmusic.com ♥ twitter.com |
Posted at 10:13 AM in Fine Line Music Cafe, Minneapolis, Momma, Thaddeus | Permalink
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Planning for Burial
at 7th St Entry (18 Jun 2025)
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Betty Who
at Varsity Theater (19 Jun 2025)
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Betty Who at First Avenue (22 Mar 2023)
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CIVIC
at 7th St Entry (19 Jun 2025)
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Dean Wareham
at Turf Club (19 Jun 2025)
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Dean and Britta at First Ave (05 July 2013)
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vu ♥ weheartmusic.com ♥ twitter.com |
Posted at 08:53 AM in Australia, Betty Who, CIVIC, Dean Wareham, Galaxie 500, Iosis, Luna, Minneapolis, Minneapolis Music Guide, Planning for Burial | Permalink
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Lucy Michelle at Art-A-Whirl (May 18, 2025)
Eastside Food Co-op at Art-A-Whirl (May 17, 2025)
Previously: Eleganza! at Turf Club (May 6, 2016) [ Continue Reading Eleganza! at Turf Club (May 6, 2016) ] Read More
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The 30th Art-A-Whirl in Northeast Minneapolis had a lot going on, as highlighted in our preview. The pretty cold weather may have been a deterrent for some, but there was plenty to see as it got going around noon on Saturday, May 17th. I swung over to Eastside Coop, just as vendor tents and the stage were getting opened. And while it looked a little empty at first, even as the first band, 26 Bats! got through their sound check, it had started filling up with people.
26 Bats! at Turf Club (Jan 30, 2025)
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Everyone was doing what they could to stay warm. The guitarist was rubbing and blowing on his hands between some of the early numbers, and there were a number of coffees in the audience, as well as a few dancers. 26 Bats! moved into a slower, and to my ears one of their best musical songs, with trumpet solo and Babo at their best singing. The slower mood continued with the song Grief with Babo switching the keytar to a stand and playing more like a traditional keyboard. After a brand new song, 26 Bats! closed out with a final song, with fun guitar and trumpet intro. They finished strong and the change over began. (Side note: major kudos to the sound crew who were phenomenal in keeping things on track and sounding great.)
I walked around the Coop parking lot during the break. It was a great mix of vendors in the tents. There were a number of artists of various media, but also food trucks, drink vendors (good to see Fair State Brewing), and even face painting (several kids were very happy indeed). It had everything you would hope for in the situation, with children running around, and several pleased dogs.
Eleganza! was next to the stage. Prior to starting, as the set list was being distributed, the comment “I may have put too many songs on here” came with a half-hearted shrug. This is a band that is centered on rock & roll played by a veteran group of performers. But they also edge into multiple genre directions, including soul, punk and even Americana. The opening song Only Time, had the layered music of this sextet (three guitars, bass, keyboards and drums). Dual (and even triple) vocals, overlapping keys and guitar solo, there’s no end to the depth of sound. The second song, Big City Filth, was high energy blues rock and those four guitars create that wall of sound.
That high energy was apparent, as the drummer quickly shed his coat before the next number, even as the bassist was flexing cold fingers. View from Nowhere kept that rock sound going, and a Rolling Stones comparison (or at least inspirations) seemed apt. These guys looked to be having a blast and the musical interludes were complex without becoming jam band style length. Skin Deep featured a very good guitar solo, but it was greatly helped by the terrific bass work underneath it.
We got a country rock style song with Checking Out and it was fun to see how Eleganza! could make seemingly minor modifications to their playing and have drastically different genre sounds. The talent and skill of the band is pretty impressive. Journey (“our big pop hit!”) started a little slower tempo, but was classic rock & roll. It turns out the set list had been a little overly ambitious and we had some late changes to the plan, moving onto Here Comes Trouble. As they were deciding on last songs, you could see the good humor between the band mates, with a joked “We just broke up!” followed by a deadpanned “It happens”. Eleganza! finished with the song Move Me, a rollicking number and easy to see why it was the closer. As the band started to break things down, it was clear that the Eastside Coop and the Art-A-Whirl organizers had done a good job booking a variety of interesting local bands.
The Moons by Chan Poling, illustrated by Lucy Michell (August 15, 2024)
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Havana Quartet was first on stage. This was a classical quartet (violins, viola and cello) playing a mix of classical and contemporary music for strings. The Cuban born musicians are the artists in residence for CAYO, an organization supporting US-Cuban cultural exchange. They chose their music well, with bright and buoyant numbers that skipped along. The four performers were clearly very comfortable with each other and able to work within the constraints of a loud (and some barely paying attention) crowd, as well as some distracting lights at the front of the stage. A bit of a medley towards the end of their set was excellently placed, and let violins and viola have their moments to shine. A quick introduction of the group led to their final piece and a fine introduction to the day of music.
Little Fevers at Turf Club (Dec 5, 2024)
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There’s something compelling about these songs being stripped down to their core like this; the MTV Unplugged series was popular for a reason. Having heard a number of these songs in their band version in December, it was a fun alternate listen. Puget Sound was a quick and cute number, and really, these were really pleasing numbers. Michelle and McLain are quietly engrossing performers and this was the perfect kind of music to have on a bright summer day like this one. A shout out to Matt, who had been part of The Velvet Lapelles, led them back to the music with a slower tempo Strange Love.
We were told that several of these songs were in their first performance as the duo. Male Truck, off the newest Little Fevers album, had long cello solos both in the middle and to end the song. Easter Best, off a solo 2019 solo Michelle album, had McLain back to finger plucking the cello and Michelle foot tapping a percussion. Coming near the close of the set, The Living had a swell of an introduction and was a very strong number. As they finished their set on Just a Kid, Michelle & McLain nailed a fantastic set for their part of Art-A-Whirl.
Art-A-Whirl Crowd
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Art-A-Whirl T-Shirt
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26 Bats!
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26 Bats! at Eastside Food Co-op (May 17, 2025)
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Eleganza!
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Eleganza! at Twin Ignition (May 17, 2025)
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Havana Quartet at Twin Ignition (May 18, 2025)
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Eamonn McLain
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Lucy Michelle
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Lucy Michelle at Twin Ignition, Art-A-Whirl (May 18, 2025)
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thaddeus ♥ weheartmusic.com ♥ twitter.com |
Posted at 11:11 PM in 26 Bats, Art-A-Whirl, Eleganza, Little Fevers, Lucy Michelle, Minneapolis, Music Festival, Thaddeus, The New Standards, The Rolling Stones, The Suburbs | Permalink
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Beach Boulevard Flea Market
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MGT Comics
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Misfit Corner Comics
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vu ♥ weheartmusic.com ♥ twitter.com |
Posted at 12:00 AM in Comic Books, DC Comics, George Perez, Teen Titans, Weekend Gamer | Permalink
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Larkin Poe at First Avenue (16 May 2025)
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“It’s crowded everywhere!” So said the couple behind me at the back of the venue. It was crowded and the people that arrived on time should have come an hour early if they wanted to see some hot Southern blues on a rather cold, rainy night.
Amythyst Kiah opened up the evening with a solo set. Born in Chattanooga, TN, she now lives in the college town of Johnson City, TN.
Amythyst Kiah at Parkway Theater (Nov 14, 2024)
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Kiah describes her music as Southern Gothic, which gives her ample room to explore the musical genres above. A self-proclaimed nerd, her songs from her latest album, Still + Bright, ranged from an ode to the television show The Haunting of Bly Manor, “Silk and Petals” to one dedicated to her favorite literary genre, cosmic horror, “Gods Under the Mountain.”
Kiah then shifted gears and said that there was a pop song that would not leave her head. So she wondered how it would translate on banjo. For the record, Lady Gaga’s “Abracadabra” does play in a folk setting.
By far her best songs were “Wild Turkey” which addresses a family tragedy and “Black Myself”, a song she wrote for as part of a collaboration with Allison Russell, Rhiannon Giddens and Leyla McCalla called Our Native Daughters. She said she was given the task to encapsulate 400 years of the Black experience in a three-minute song.
What was full at the onset of Kiah’s set was downright packed by the time Larkin Poe took the stage. And those who had come early had a front row seat to the powerful start to what would be an electric evening.
We last saw Larkin Poe at Knuckleheads in Jan, 2024, stating: “Originally from Atlanta and currently Nashville-based, they are descendants of celebrated author Edgar Allan Poe, named for their four-times removed grandfather, who was Poe’s cousin, and came roaring out of the gate with the rousing ‘Strike Gold’.”
Rousing is a perfect description, as sisters, Rebecca and Megan Lovell, put their spin on roots music with a gritty, soulful sound with their own southern heritage. If the blues is a drug, the Lovell sisters were mainlining the crowd with “Nowhere Fast” and “Kick the Blues.”
Larkin Poe at Knuckleheads (24 Jan 2023)
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Rebecca said that they were going to play her favorite song on the new album. She said the song was about not knowing what’s coming down the pipeline, and that she was going to have a baby later this summer. “So, this is for all the ‘Mockingbirds’ in the tree.”
Then they went right back to the nasty with “Bad Spell” before moving onto an acoustic set with a dobro and mandolin, harkening back to the time when they started out as the Lovell Sisters, winning a contest on A Prairie Home Companion with their older sister, Jessica.
Then back to “If God is a Woman”, the highlight of the evening that had Meghan and her steel guitar roaming the stage with an extended solo and Kiah coming out midway to take a verse. And if that wasn’t enough, they played “Bolt Cutters & The Family Name”, a song infused with female empowerment.
Even though the Lovell sisters are in their mid-thirties, the crowd was filled with a lot of gray hair and creaky knees. One person in the audience was an elderly lady in a reserved seat. She was comfortably seated, but rocking, and it was a personal highlight to see her sing:
Amythyst Kiah
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Larkin Poe
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Larkin Poe
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Larkin Poe
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Larkin Poe at First Ave (May 16, 2025)
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dave ♥ weheartmusic.com ♥ twitter.com |
Posted at 08:42 PM in Amythyst Kiah, Dave, First Avenue, Larkin Poe, Minneapolis | Permalink
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Peter Bjorn and John at Fine Line (May 26, 2025)
Tour Dates Previously: PB&J at Fine Line (2016) ‘Young Folks’ was so uncharacteristic of PB&J, especially because the single was a duet with The Concretes’ Victoria Bergsman and requires constant whistling for the melody. Reading interviews with the band, they have expressed that ‘Young Folks’ was both a blessing and a curse. People have a misconception of the band, but at the same time, they’ve gained new listeners. Anyway, after a five-year break (their last album Gimme Some came out in 2011), to give room for various solo projects: Peter’s solo albums, Björn’s “Yttling Jazz”, and John’s project Hortlax Cobra. With all that out of the way and a fresh perspective, the trio is back with their catchiest album yet, Breakin’ Point. [ Continue Reading PB&J at Fine Line (June 23, 2016) ] Read More
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A long-time band from Sweden, Peter Bjorn and John made their was to Fine Line in Minneapolis on a Friday night to celebrate a classic album.
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The quartet (guitar, bass, keys & vocals, drums) was definitely playing that soft rock genre, hearkening back to Steely Dan and a wide variety of 70’s & 80’s radio favorites. Donato’s vocals were often under a reverb or distorted effect, but that played well into the overall aesthetic. Enyeart’s guitar solos in the first several songs were fun, if a little brief, such as on the new song Afterparty. Reese Kling’s drums and Cooper Doten’s bass held the band in check and kept things moving forward nicely.
Donato’s opening banter was humorous as he said he wasn’t going to say much about the band, as their manager wanted them to have “an aura of mystery”. He also gave serious love to the headliners before getting back to the music. Bachelors of Youth was the most synth-sounding keyboards yet, and might have been the best sounding number of the night. These guys know what they are doing musically, but it’s unclear if they are paying homage or playing satire to the genre, which was a little confusing. (Side note: For a band playing full out satire in this space, see the Chicago-based band Baby Teeth.)
A “mostly first time audience” got to hear the next song Closes in on Me. This had a little bit of an Elton John feel from the vocals and was our first appearance of dual harmonies behind Donato. A last round of talk led to the closing song, Butter, which has a killer opening musical intro. Kling had a nice closing drum outro, and then the band was rolling off stage.
I spoke with Donato between sets. Having heard in January that Enyeart was about to be a father, we got confirmation that all went well (congrats, Luke!). It brought up the point that the majority of the band is now parents. Asked about how being a dad band changes things, Donato said it has been weirdly nice to not be pinning hopes and dreams on this band, and that it frees them up. The other question I asked was whether Beemer is satire or homage. Donato said it’s a bit of both; they all grew up learning from soft rock music bands and can’t help but write some of that style. It’s clear they enjoy it, while also being able to recognize some of its short comings.
After the break to get set up, Peter Bjorn and John came to the stage. Peter (Peter Morén) Bjorn (Björn Yttling) and John (John Eriksson) first came together as an indie rock group over twenty-five years ago in Stockholm, Sweden. The band has released a lot of music over the years, including nine full length albums, starting with their self-titled debut released in 2002. They had fairly big success with their third album, 2006’s Writer’s Block, with the hit single Young Folks. This tour, with just about a dozen North American stops, is called the Writer’s Block Album Tour 2025, which makes it a 19 year anniversary, but, ok, I guess? I do love the band’s website succinct description: “Live. In full. The classic album.”
The trio came to the stage and started off with Poor Cow, with a lot of the stage in darkness. The second song got a switch of lead vocalist (Björn this time), letting you know this band really shares the limelight. The intro to The Chills was an effective percussive sound from Björn before giving way to Peter’s vocals. This song also really showed off the band’s strength of those mixed and matched vocals and harmonies across the full band.
A little banter from Peter, while changing some instruments, gave an overview about the fact that it is the 19th anniversary (“we’re practicing for next year!”) and the fact that they were playing the album in reverse. Let’s Call It Off was a really well distilled version of their sound; everyone singing, a strong bass line, and just a bit of an aggressive edge to the indie rock sound.
The band used some recorded connecting musical bits to allow for instrument changes, such as getting the harmonica ready for Paris 2004. The professionalism shines through here; that recorded bit was a fairly precise amount of time, and they were ready to go right on cue (big points for their sounds guy at the back of the house!). P,B&J’s vocals shone through in the song and the closing bit of dual “oohs” contrasted with the harmonica were fantastic. It certainly got a very strong audience reaction, and the main part of the room continued to crowd towards the front.
The band made the most of various guitar solos, with Peter & Björn moving all across the stage. Peter jumped into the crowd during an extended section of Up Against the Wall, to the absolute delight of the crowd. Soon, we were to the big hit of the album, Young Folks. Given that the album release has a female vocalist (Victoria Bergsman of The Concretes) as a critical part of it, I was very curious to see what did live. That great bass intro and whistling section were super solid and the audience was super into it. Vocally, it simply collapsed down to Peter’s singing throughout and that worked just fine. Objects of My Affection ended the Writer’s Block album and was a soaring number, but the band wasn’t done yet. From there, they took a short break before returning.
Peter Bjorn and John moved into songs from other albums, starting with Breakin’ Point. Most of these songs were from more recent albums, and showed off how the band has grown musically over the years. Gut Feeling had John adding tambourine to his percussion effects. We got a cover of The Concretes Teen Love, with some confused introductory comments (and initially starting in the wrong key!) from Björn. Second Chance was a banger and had a chunk of the audience singing. A quick off stage before the final encore had to be rushed as some fans thought the show was over. It was an impressive live show, clocking in well over 90 minutes. With I Know You Don’t Love Me, Peter Bjorn and John continued to drive towards the end. A final song had Peter telling the audience they would be off to the merch table and thanking the crowd. The Swedes had won the day and Minneapolis was lucky to be one of the few stops Peter Bjorn and John had made here in the US in 2025.
Beemer
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Beemer
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PBJ Soundboard
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John
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Bjorn
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Peter Bjorn and John at Fine Line (May 16, 2025)
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thaddeus ♥ weheartmusic.com ♥ twitter.com |
Posted at 04:06 PM in Elton John, Eric Mayson, Fine Line Music Cafe, Minneapolis, Peter Bjorn and John, Steely Dan, Sweden, Thaddeus, The Concretes | Permalink
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Momma at Fine Line (19 May 2025)
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Momma at Azura Amphitheater (11 June 2023)
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Tennis
at First Avenue (21 May 2025)
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Tennis at First Avenue, Minneapolis (08 April 2023)
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Billie Marten at 7th Street Entry (16 June 2023)
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Friko
at Fine Line (22 May 2025)
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Friko at First Avenue (15 Sep 2024)
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Matt Berninger
at First Avenue (23 May 2025)
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The National at Moda Center (03 Oct 2024)
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Baroness
at Turf Club (23 May 2025)
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Baroness at Bottleneck (02 Apr 2022)
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vu ♥ weheartmusic.com ♥ twitter.com |
Posted at 12:00 AM in Baroness, Billie Marten, Friko, Minneapolis, Minneapolis Music Guide, Momma, Tennis, The National | Permalink
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Joywave at the Albatross (16 May 2025)
Tour Dates Read More
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Joywave at Underbelly poster (May 16, 2025)
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Joywave at the Truman (April 26, 2025)
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Little Image
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Little Image
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Joywave
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Joywave at the Albatross (May 16, 2025)
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vu ♥ weheartmusic.com ♥ twitter.com |
Posted at 10:36 PM in Albatross, Jacksonville, Joywave, Lonnie, Sir Sly, Underbelly | Permalink
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Comments (0)
05/21 Tennis at First Ave
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05/22 Friko at Fine Line
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05/23 Baroness at Turf Club
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05/22-05/25 Jacksonville Jazz Festival
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05/27 Mike Munson at 331 Club
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05/29 Ziggy Alberts at Fine Line
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05/30 GWAR at Fillmore
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05/31 Wedding Present at Turf Club
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06/01 Primus at Xcel Energy Center
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06/02 Styx at Dailys Place
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06/06 Ally Venable at 7th St Entry
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06/07 Annie DiRusso at Fine Line
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06/11 Blondshell at Fine Line
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06/14 Julia Wolf at Turf Club
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06/14 Sleigh Bells at Fine Line
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06/15 Softcult at Jack Rabbits
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06/17 Sunflower Bean at 7th St Entry
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06/19 Dean Wareham at Turf Club
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06/19 Betty Who at Varsity
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06/20 Artemas at First Ave
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06/27 Banks at Fillmore
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07/18-07/20 MN Yacht Club
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08/05 Horsegirl at 7th St Entry
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09/09 Wet Leg at First Ave
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09/17 Baseball Project at Fine Line
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09/20 Sparks at Fitzgerald
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09/20 Pulp at Armory
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09/21 James at First Avenue
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09/24 Deltron 3030 at Uptown Theater
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10/02 Low Cut Connie at First Ave
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10/04 Garbage at First Ave
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10/07 elbow at First Ave
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10/08 Grandaddy at First Ave
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10/11 Stereolab at First Ave
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10/18 Miki Berenyi Trio at Turf Club
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10/28 Patrick Wolf at Amsterdam Bar
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